First up, the compilation.
Hybrid Gyrations Vol. II (Hybrid; 1985)
A1: Wayward Souls - Unknown Journey
A2: Jon Wayne - Mr. Egyptian
A3: Multicoloured Shades - (The Ballad of) The Voodoo Ranger
A4: The Volcanoes - Into the Psyche
A5: Honolulu Mountain Daffodils - Electrified Sons of Randy Alvey
B1: The Volcanoes - Wild
B2: Multicoloured Shades - Heartbeat
B3: Honolulu Mountain Daffodils - The Sinners Club
B4: Wayward Souls - Now
B5: Jon Wayne - Texas Polka
Not the easiest album to get hold of (not my scan - the scanner is in the wardrobe, under the spare amp and a pair of shoes. It's kinda cramped in here. So thanks to whichever person on el ebay del espana took the little photo) and despite hunting high and low for twenty years, volume one has yet to cross my path. I'm not too narked by this, as I don't think it has any wonderful Volcanoesness secreted in its grooves and, whilst there are some remarkable moments on here not by them, it's The Volcanoes that we're here for. Oh yes.
We start off with The Wayward Souls, finely balancing themselves on the very edge between 80s jangling chart/indie pop and 80s neo-psyche garage revival (their entry on the other side edges slightly more rockwards, siphoning off the spirit of Roky Erickson rather than Sky Saxon). They probably wore a fair bit of paisley. It's very difficult to dislike, but equally it's rather difficult to get too excited about it. Which is not a charge that can be levelled at Jon Wayne.
If you weren't desperate to own the album for The Volcanoes (and why not? WELL?), then you'd be wanting it for Jon Wayne, and in particular "Mr. Egyptian". A semi-musical, devo-tinged, drug-addled cowpunkin' retardostomp through the perils of buying oil and gas at a truckstop from a north African in deepest darkest Texas. Don't give me none of that no-go-diggy-di shit. Probably the most "famous" song on here (I seem to recall it being something of a favourite of John Peel), it really is something to behold. Their other entry is equally bizarre, but lacks a little bit of the Mr. Egyptian magic.
The Multicoloured Shades sit quite happily next to The Wayward Souls, ploughing a very similar furrow with tools borrowed from the same bunch of people. On "Heartbeat" they do it most pleasingly indeed, but we're still very firmly planted in paisley shirt territory (by no means a bad thing per se, I had one myself. Very nice it was too).
The next most interesting entry would be Honolulu Mountain Daffodils (yes, I know I've skipped one. I'm saving them for the end). Apart from having one of the worst bandnames around, they're really quite good. On "Electrified Sons of Randy Alvey", they construct a gloomy, clanking, semi-industrial, electrogoth racket to titillate the ears. This is interspersed with the occasional tuneful croon of "ohhh, baby do you see where we go". Which is, of course, from "Green Fuz". Hence the name of the song. You have to admire a band who whilst trying to sound like they think they are the most futuristic band on the planet (this was 1985, remember) insist on positioning themselves as the musical heirs to a chap from thirty years previously who is only remembered for one song (and even then only because The Cramps covered it). They let the guitarist back in for their second song and sound disappointingly regular as a result (although the chap's efforts at singing remain quite pleasingly scary). But still, "Electrified Sons of Randy Alvey". Mental.
Ah, The Volcanoes. Oops, slight deja vu there. They sound a little like they might have worn paisley too, only their paisley would have been entirely black. This version of "Into the Psyche" (they rerecorded it for the album, but more on that anon) is one of my very favourite songs, which therefore plainly makes it one of the best songs ever deemed worthy of recording. A splendid boingingly fat bass, squalling guitars and that voice. Starts slow and builds up (I'm a sucker for songs that do that). There aren't many bands that can sing "Here I go, the spiral fall, is pushing me, pushing me, into the psyche NOW HERE WE GO" without sounding like utter twats. The Volcanoes are one of them. A gloomy, soaring, rocking, fantastic neogothpsychegarage masterpiece by people who probably wore black paisley and thought bats were cool. And if that doesn't get your juices flowing, then they've probably dried up and left you a crinkling, tinder-dry withered husk of a musical being.
"And introducing Mr. Stuart Volcano on snare drum. Also the same person on bass drum. Yeah. Here we go, Mr. Kid Volcano on guitar. Let's hear it boy..." I don't think he actually says Stuart. It sounds like Steel or something. But, as the drummer was called Stuart, then Stuart is what I shall be typing. For some reason, "Wild" didn't make the album. Impossible to fathom why, although it does give a hint as to the quality of the songs that did make it on. A hint of the billy is added to the gothgaragerockin' neo-psyche. Driven along by the irresistible shuffling drums, it lays down a rock solid platform for Janez (possibly not his real name - Janez Dernulc seems to be a minor Slovenian figure of note from WWII) to let loose with his mighty pipes. Bloody wonderful.
The Volcanoes - Into the Psyche (Hybrid;1985)A1: Poison Myself
A2: Crane
A3: The Scene
A4: Johnny Johnny
A5: Spider God of Voodoo
B1: All My Little Voodoos
B2: Familiar Vermilion
B3: Poem/Into the Psyche
B4: Devil and the Deep Blue Sea
Apologies for the low quality art there - it's no easier to find on t'web than the compilation, and the scanner is still in the wardrobe (I haven't built an extension inbetween uploading albums). Doesn't even begin to do justice to the detail of the cover - which is all the more impetus for you to get out there and track down a copy. It can be done, although you'll need to be patient. Plus, it seems that if often gets listed as "new wave" (?!?), "goth" or "indie rock". Which is quite frankly bizarre - they're possibly basing it on a tiny bit of "Crane" where the song briefly threatens to turn into "Killing Moon". I guess it doesn't help that this comes right before the start of "The Scene", which is a not too distant cousin of "Submission". I don't think it helped their cause, this being generically confusing to people who should know better. They could have invented Gothadelic as a genre for them, not that it would have described them any better.
Anyway, the album starts with a bold statement of intent ("Poison Myself"), and doesn't let up or let go of your ears from then on. Some of the songs are slower burners than the four released before the album (only really the aforementioned "Poison Myself" and "Familiar Vermilion" - an awesome twisted stroll through an inverted version of cheery 70s stomp pop) are quite as instant as the others), but no less good as a result. My one tiny quibble is the rerecording of the title track. Whilst the added "Poem" segment works quite well, the rest is a tiny step down from the original. They absolutely bloody bastard nailed it first time, so quite why Roman Jugg thought they should have another go, I'll never know. Yes, that Roman Jugg. He produced them, y'see, when not busy off being one of The Damned (and, later, a Phantom Chord).
So there you have it. Wish I knew what happened to them. Not the easiest bunch to search for these days (hardly the rarest of bandnames. Take the slightest of wrong turns, and you end up in the world of Ska, and we don't want that). Cruelly overlooked, sadly missed. The Volcanoes.
